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I saw this movie in high school, liked it a lot at the time, and have continued to like it a lot. I think it was a much under-appreciated film that, in its own, pop-culture way, is even very brave. Josh Charles and Lara Flynn Boyle, both actors I always enjoy, give strong, genuine performances and Stephen Baldwin does his best acting outside of THE USUAL SUSPECTS.
The best thing about the film, however, is Andrew Flemming's screenplay, which is highly literate, witty, extremely aware of itself, it's situation and the nature of its characters, and is studded with some beautiful little gems of sensitivity, understanding and wisdom. Though some people might dismiss it as fluff, the issues of sexuality, confusion and desire being presented are extremely well-handled, and Flemming is very good at addressing them intelligently, through his characters, without ever abandoning believability- especially in regards to how college kids talk and think. Also, a gold star for the portrayal of a gay man who is not flamboyant, dying or AIDS, or stupidly following the heroine around playing confidante; another for exploring the darker, stranger side of the woman-male homosexual relationship so often glamorized in Hollywood; a third for addressing that taboo subject so often dropped from teenage and twenty-something sex comedies: guilt. All in all, a fun, enjoyable movie- with a nice, thought provoking kick in the stomach to make it really worth your time.
Author: Nick Rees-Roberts ISBN: 452 Genre: Performing Arts File Size: 87. 46 MB Format: PDF, ePub Download: 233 Read: 840 Few European male actors have been as iconic and influential for generations of filmgoers as Alain Delon. Emblematic of a modern, European masculinity, Delon's appeal spanned cultures and continents. From his breakthrough as the first on-screen Tom Ripley in Purple Noon in 1960, through two legendary performances in Rocco and His Brothers and The Leopard in the early 1960s, to his roles in some of Jean-Pierre Melville's most celebrated films noirs, Delon came to embody the flair and stylishness of the European thriller as one of France's most recognizable film stars. This collection examines the star's career, image and persona.
Not only focusing on his spectacular early performances, the book also considers less well documented aspects of Delon's long career such as his time in Hollywood, his work as director, producer and screenwriter, his musical collaborations, his TV appearances, and his enduring role as a fashion icon in the 21st century. Whether the object of reverence or ridicule, of desire or disdain, Delon remains a unique figure who continues to court controversy and fascination more than five decades after he first achieved international fame. Author: Jim Collins ISBN: 450 Genre: Social Science File Size: 42. 4 MB Format: PDF, Docs Download: 478 Read: 852 Film Theory Goes to the Movies fills the gap in film theory literature which has failed to analyze high-grossing blockbusters.
In the years after the film, Baldwin became a born-again Christian, a member of. He has distanced himself from the film in interviews and felt the need to state.
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The contributors in this volume, however, discuss such popular films as The Silence of the Lambs, Dances With Wolves, Terminator II, Pretty Woman, Truth or Dare, Mystery Train, and Jungle Fever. They employ a variety of critical approaches, from industry analysis to reception study, to close readings informed by feminist, deconstructive and postmodernist theory, as well as recent developments in African American and gay and lesbian criticism. An important introduction to contemporary Hollywood, this anthology will be of interest to those involved in the fields of film theory, literary theory, popular culture, and women's studies.